Masaki Kobayashi — Director (9)
Kwaidan (1965) [Movie] TMDB Douban NeoDB IMDb WikiData
怪談
8.5 (6 ratings) director: Masaki Kobayashi actor: Michiyo Aratama / Rentaro Mikuni
other title: Kwaidan - Storie di fantasmi / Kwaïdan
Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.
The Human Condition I: No Greater Love (1959) [Movie] Douban NeoDB TMDB IMDb WikiData
人間の條件 第1部純愛篇/第2部激怒篇
other title: La Condizione Umana: Parte I – Nessun amore è più grande / Guerra e Humanidade I: Não Há Amor Maior
After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
Harakiri (1962) [Movie] Douban NeoDB TMDB IMDb WikiData
切腹
9.2 (11 ratings) director: Masaki Kobayashi actor: Tatsuya Nakadai / Akira Ishihama
other title: Haraquiri / 切腹
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
The Human Condition III: A Soldier's Prayer (1961) [Movie] TMDB NeoDB Douban IMDb
人間の條件 完結篇
other title: La Condizione Umana: Parte III – La preghiera del soldato / 人間の條件 完結篇
After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.
The Fossil (1975) [Movie] TMDB
化石
director: Masaki Kobayashi actor: Shin Saburi / Keiko Kishi
other title: 化石 / Les Fossiles
An industrialist is diagnosed with terminal cancer. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned.
The Human Condition II: Road to Eternity (1959) [Movie] Douban TMDB NeoDB IMDb
人間の條件 第3部望郷篇/第4部戦雲篇
other title: La Condizione Umana: Parte II – Cammino verso l'eternità / Guerra e Humanidade II: Estrada Para a Eternidade
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.
Black River (1957) [Movie] IMDb WikiData TMDB
黒い河
director: Masaki Kobayashi actor: Fumio Watanabe / Ineko Arima
other title: La Rivière noire / Río Negro
A love triangle develops between a benevolent student, his innocent girlfriend, and a cruel petty criminal, all as a point of diagnosis of a social disease that had Japan slowly succumbing to lawlessness during the post-War era.