Hina, a student at Nikko High School, goes out one evening with her classmate Beniko. They get split up and Hina ends up in a strange meeting with a man named Ikumi in a game arcade. The next day, Ikumi turns up as the new teacher at her school. Ikumi doesn't seem to recognize Hina but the wheels of fate are slowly moving to reunite them in what is a passionate story of forbidden love.

Kisarazu Cat's Eye is a humorous Japanese television show and movie series. To date, there have been two Kisarazu Cat's Eye movies: Kisarazu Cat's Eye Nihon Series and Kisarazu Cat's Eye World Series.

Based primarily on the first game in the series, Phoenix Wright: Ace Attorney, the film focuses on rookie defense attorney Phoenix Wright, as he strives to protect his clients in various murder trials, including the death of his mentor, Mia Fey, and the accusation of rival prosecutor, Miles Edgeworth. Phoenix's greatest ally is Mia's younger sister Maya, a spirit medium whose body is possessed by Mia to communicate with him.

After hiding together in an abandoned barn one stormy night, wolf Gabu and goat Mei pledge to be secret friends, despite being natural enemies. They must overcome hardship and persecution in hopes of finding another forest where they can be together in peace.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

When corporate executives are blackmailed into public displays of nudity on the busy streets of Shinjuku, the big guns are called out to locate "Oboreru Sakana". The "big guns" are a misfit duo of ethically questionable characters who must infiltrate a gay nightclub and "fit in" while they search for clues. What ensues is both hilarious and action-packed. Oboreru Sakana is a rather ambitious and often hilarious contemporary crime thriller. Its narrative swings from the grisly to the humorous and pulls in as many pop culture elements as it can manage.

Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

Two girls with the same name but very different personalities share an apartment in this sequel to Nana. The rising fame of Nana Osaki's band, the Black Stones, is beginning to take a toll on the best friends' relationship. Meanwhile, Nana Komatsu struggles to make sense of her love triangle with Black Stones' guitarist Nobu and rival group Trapnest's bassist Takumi.