Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?

In desperation brought on by near-starvation, Helge Roos kills his master's ox to feed his wife and baby daughter, setting off a devastating and unexpected chain of events.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

After “five years of happiness,” a love affair is ending. The woman uses the telephone as the last remaining connection with the man, who is now planning to marry someone else.

During the Korean War, Joe Moran, is convicted for striking a colonel. Imprisoned in Germany he encounters his former company commander Captain Ross, jailed for black marketeering. Together with Ross' cohorts Joe agrees to escape with them, but things go wrong and a policeman is killed. An appalled Joe escapes by himself, abandoning the others, who are recaptured. Years later Joe has a boat rental business where he is found by Ross. Now a wanted drug smuggler he wants the use of Joe's boats and to ensure his cooperation, they kidnap his wife and daughter.

An insane Swedish farmer escapes from an asylum to get revenge on his sister, her husband and others.

Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

玛莎将带着一个全新的疗养中心回归，以及一群新的麻烦缠身的客人，她将再次试图帮助和治愈他们。

On the French island of Mont Saint-Michel, Sonia meets Jack and Tom. Sonia is a Norwegian physicist who abandoned a lucrative career after discovering that elements of her work were being applied to weapons development. Jack is an American politician attempting to make sense of his recent defeat as a presidential candidate. Tom is a poet, disillusioned former political speechwriter, and Jack's close friend. As they wander the picturesque medieval abbey, the trio engage in a wide-ranging conversation on political and social problems, exchanging their varied perspectives rooted in their different intellectual backgrounds.

Karl and Kristina Nilsson work on a farm in a cold and desolate area of 19th century rural Sweden. Growing privations, combined with increasing social and religious persecution, motivate the Nilssons and many of their neighbors to strike out for the United States. Following a treacherous ocean crossing and an equally grueling land passage, the emigrants find themselves in seemingly idyllic Minnesota.

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.

The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.

Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

In this sequel to Scenes from a Marriage (1973), we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained.

A Swedish immigrant family struggles to adapt to their new life on the American frontier during the second half of the 19th century amidst civil war, native uprising and the lure of gold in California.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.