Let's Go, Grandma! plays like an exuberant, goofy update to Yasujiro Ozu's Tokyo Story. Kinuyo Tanaka plays the titular Grandma, who, after selling her Hokkaido property, is apparently flush with cash but newly homeless. Her grown children take turns hosting her, making extravagant performances of filial devotion with an eye to potential profit. Making use of a catalog of wacky visual effects, bracketed by gratuitous ham-fisted fight scenes, and costarring pop singer Hideki Saijo, the film is balanced by Tanaka's nuanced performance, which delivers a denunciation of hypocrisy and greed.

A trio of teenage tarts try to earn money through shoplifting and prostitution scams and get into deep trouble.

In the late Taisho era. Umeshima Jinbei, the president of the Kanto Umeshima Kai, divided the area into the Kuroda family to the south and the Takeuchi family to the north in order to protect the security of Kame no Ii, which had opened up in place of the Yoshiwara brothel that had been burnt down in the earthquake, and had the Kuroda family rule their respective territories. Chichibu Yasaburo, the small head of the Kuroda family, had a good reputation as the mainstay of the family and was trusted by his boss Mankichi, but Furuno, who was in love with Mankichi's daughter Mie, who was in love with Yasaburo, informally informed the Takeuchi clan and took out Mankichi's seal and borrowed money from Takeuchi in the name of Yasaburo to line his pockets.

Aboard a night ferry in the Inland Sea, Masaaki Kagari (Akira Kobayashi), a young tough, who supplies hostesses to night spots, encounters Yuko, his ex-sweetheart. He considers himself a private underworld sort of policeman-in the com- munity of such women. Yuko, now a bar proprietress, is under the protection of Tahei Daigo, a sinister gang boss who in his quest for chances of good investments abroad plans to offer young girls to rich foreigners. Asked to gather attractive girls by Yuko, now Tahei's puppet, Masaaki collects many only to find them mysteriously missing...

Drama is afoot at Shirobara Middle School when the bold Henmi Ryoko transfers into Class A, 9th Grade. She immediately picks a fight with, Masuda, the head of the preparation committee. The girls' battle for control of the gang soon grows out of control as it sweeps up the entire school. Brawls. Seduction. Yakuza. And more!

Patronized by a gang ruling the city, Mako delinquently plays around a night club every night with her bad company. One night, a guy Hideo gets closer to her for one-night stand, and they consequently fall in love. However, Hideo is killed by the gang. Mako swears vengeance on her beloved's murderer.

A suspense work starring Junko Natsu. One night, Saiko Ogata, a popular female DJ on a late-night radio music program, discovers a strange letter among a pile of postcards. It was a letter written in the style of a 5 or 6-year-old child, beginning with, "Mom, I am in a dark and cold world right now." Saiko is shocked. That letter was a letter from her own child, whose father was Kazuo Yamazaki, whom Saiko had fallen in love with six years ago when they were trainees at a certain theater company, and who had sprouted in Saiko's womb but passed away without being born...

The film tells about drug trafficking from Vietnam to Tokyo and Okinawa. Tetsuya Watari plays a photographer who uses his camera as a blackmail weapon. He is on the trail of a narcotics smuggler (Mikio Narita) and his beautiful contact (Haruko Wanibuchi). Watari meets a former gangster (Yujiro Ishihara) who is seeking revenge against Narita, his former partner. Watari and Ishihara become allies and hijack the dope shipment. But Narita threatens the life of Haruko, who turns out to be Ishihara's sister, and demands the dope in return for the girl.

Sex games by students at a junior high school are exposed by the principal and teachers, but the tables are turned in favor of the students.

13th in the 17 film Daiei "Woman Gambler" series

Dramatic story of one man trying to make a difference.

Masuda Toshio film starring Watari Tetsuya and Mori Masayuki, about a lone-wolf type (Watari) seeking love and defending the honor of an elderly widower (Mori).

In pre-war Japan, two members of a large yakuza syndicate instigate a turf war that embroils the highest echelons of Tokyo's underworld.

Pinku from 1971.

The first of many movies featuring the lighthearted adventures of two truck drivers. Momojiro and his best friend Kinzo take to the road on their cargo trucks impressing each other with their skills in driving fast and evading the police while transporting commodities throughout the country. Chance encounters with people along the way help them to come to terms with events clouding their past and offer them a shot at redemption.

Hiroki Matsukata is a fish market worker and a fanatical Japanese festival rascal. He also falls in love with a stripper while delivering his colleague's love letter to her but forgetting to mention it's from another man.