While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties, and the boys at the Met station have no more idea what is going on than the regulars at the Swan. Only a stand-offish visting scientist realizes space aliens are to blame.

A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father's spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.

Early adaption of Orwell's Nineteen Eighty-Four as part of the Theatre 625 series.

A rich woman who uses meditation to deal with pain is visited by her niece who returns from Paris. The woman can be a handful and one of her employees suggests to her husband that he kill her freeing them both. When an affair starts between the husband and the niece murder becomes a real possibility. However some people won't stay dead.

In a seaside village, a group of local young men mingle among the seasonal tourists in search of sexual conquests. Near the end of one summer, the leader of the group, Tinker, a strolling photographer, aims to conquer a fashion model from a well-to-do family, but he finds himself unexpectedly falling in love. The tables thus turned, Tinker begins to see that maybe it's not the tourists who are being used in these sexual games.

A commercial-jet captain (Chuck Connors) has ghosts on board from stones of an English abbey being shipped overseas.

Henry II and his estranged queen, Eleanor of Aquitaine, battle over the choice of an heir.

Prophetic nightmares precede a family's confrontation with an evil, unseen force.