Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.

A secret agent is dispatched to find a rare and valuable drug.

Saint Tropez. Julie Wormser and her lover, writer and neighbour Jeff Marle, plan the murder of her wealthy husband Louis, an alcoholic impotent. She hits him, and leaves the rest of the task to Jeff. Julie finds herself alone the following day, and becomes therefore the prime suspect. Where is Louis' body? Where is Jeff? Is there any secret beyond a door?

Madame Bertini, a newly widowed 70-year-old miser, has lived a sheltered life in squalour. She determines to venture into the modern world and have as much fun as possible, and in doing so finds that she loves it. She blows her life savings, much to the disapproval of the young people around her.

Françoise looks like a sexy kitten by day, but is a silent she-wolf by night, making very clever robberies of gold jewels. Despite the interest, and competition, from Bruno, she ends a lonely she-wolf.

In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.

Anthology of four love stories that have some historical basis.

Two men, part tramp, part pilgrim, are on their way to Santiago de Compostela in Spain. On their way they meet a whole assortment of people—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.