Psychological games abound between detectives and suspects in a tense interrogation room, where the search for answers sometimes comes at a moral cost.

A gifted woman's intellect brings chance to lead covert European police force. But it backfires, costing her everything. Following murder at her home and kidnapped heiress, her ex-supervisor enlists a policeman's aid to reinstate her.

The third part of Simón’s trilogy that follows her last pair of features. A “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona” and the roots of the project are tied to family “since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion.

After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not.