Sato's re-imagining of In a Grove, on which Rashomon was based. In this version, instead of a web of lies and agendas, we get a web of desires, perversions like incest, and occult phenomenon like an oracle-demon, hallucinations, and human sacrifice. Once again, the story starts with a detective trying to unravel the story of a man and a woman encountering a bandit-rapist in the woods, but the real story keeps turning out to be unfathomable as layer upon layer of strange motives and events keep turning up.

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

Another satirical broadside against the thrill-seeking public, and the media that panders to them, from filmmaker Hisayasu Sato.

An unstable lab technician develops a crush on her new assistant and uses an unscrupulous man with an unusual device to get closer to her.

The tale of an alienated young guy eager to discover a way to spend his bills. Financial relief shows up in the form of unknown e-mails directing him to rape women for money, capturing the crimes as evidence of his work. Sordid as his brand new job may be, the aspiring rapist seems to have solved his financial woes, until a feisty young paranormal uses the girl extrasensory powers to resolve the case.

The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato's usual themes of alienation and corrupted innocence than its brutal predecessor.

A man who's having an affair with one of his employees gets his penis cut off by the womans husband while she's watching. This case is big news and a man who claim to be a journalist begin to follow and talking to the wife, convinced that she's a completely innocent bystander.

A mentally disturbed prostitute claims to have lost her baby in a heavy S&M session. As she begins a similar relationship with a man whose wife left him because of his kinky urges, their mutual mental deterioration leads them down a spiral toward a double-suicide pact.

A taxi driving, punk rock listening, serial rapist with a bad attitude picks up female fares, sedates them with gas and takes them to his grungy lair where he video tapes his sexual abuse.

Reiko is a newlywed who has been married for half a year through an arranged marriage. Married life should be fun, but for Reiko, it has been a series of empty days. She and her husband, Takahiro, are not in tune with each other. And it's not just their hearts that are at odds. Takahiro has never tried to embrace Reiko since they got married. He always makes Reiko masturbate, and he just enjoys watching her do it.

A female detective tries to live a life of surveillance and of spying on couples having affairs while her husband is in a strange coma.

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

Transfer student Mizuki is bullied mercilessly by her classmate. Nevertheless, she is always able to maintain her composure. Kirie, who is also bullied, becomes interested in Mizuki and longs for her. The two become close.

A sullen horny student stalks female students in the endless hallways of a desolate high school with a video camera. But are his violent and abusive recordings fantasies or reality?

Two inquisitive young women discover a lone pirate radio DJ operating from a van. Broadcasting unofficial thoughts and opinions, the show gets increasingly complicated when the system of illicit broadcasting changes hands and takes on a covert voyeur angle. Descriptions of strangers' fetish-laden sex described over the radio take a turn after happening upon (and engaging directly with) a serial killer, and a curious exploration of motives then ensues.

The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature. Fatalistic and sad, this is one of the more depressing Japanese softcore films, and Sato makes it even worse by including footage from the lovers’ actual 8 mm experimental film throughout the story

Following cosmetic surgery to enhance her breasts, an office worker is raped. The rapist's son, after setting his distinctly Oedipal gaze on his father's busty victim, locates her and they begin an ill-fated sadomasochistic affair that leads to a bloody killing spree.

Takahashi moves into a new apartment after a divorce and as she tries to settle in, finds that she is having strange and violent dreams and weird things keep happening in her apartment. Her neighbour likes to listen to her through the wall, and becomes increasingly sensitive to her thoughts and feelings. A scientist father and son also live in the building; the son has an obsession with prosthetic body parts.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

Reporter Nukada’s next big assignment is the secret world of Japanese phone sex clubs. Midori, a part-time employee at the Banana Club, and Kihara, a client with perverted tastes, are his first targets.