The film tells of the attempts made by a Beijing van driver to obtain his wage arrears from travel agency boss even to the point of kidnapping the latter's Singaporean girlfriend (Jacklyn Wu).

A Sigh tells the story of an affair between a struggling Chinese screenwriter and his young female assistant, its effects on his marriage and the impact on the man himself.

This Chinese period drama series follows the fortunes of a prominent merchant family engaged in Traditional Chinese Medicine during the waning years of the Ching dynasty. The affairs of this family of doctors/pharmacists (which in those days were one and the same) are intimately linked with social upheavals of the time such as the encroachment of Christian missionaries and foreign imperialism as well as conflicts that inevitably emerge in a large upper class family. Comparable in scope and production value to such recent titles as "Downton Abbey", the lives and character of both masters and servants intertwine in plot lines that spans more than a generation.

Fang Yan and Du Mei experience a profound and unforgettable love, just like any other couple, through a series of quarrels, breakups, and reconciliations. Initially, their relationship is rocky. First, Du Mei misunderstands that Fang Yan already has a girlfriend, and later, she subtly hints that she is attending a dance, indirectly inviting Fang Yan to be her partner. However, more misunderstandings follow, leading to a stalemate in their relationship.

Four friends come up with an unusual idea to make some money and have fun doing it. For a small fee, they will impersonate and act out any character role for their customers. In the course of executing this novel service, they encounter a whole spectrum of people in society, finding ways to genuinely help them boost their morale and overcome their fears, while gaining unusual and new insights into the human condition.

An adaptation of Liu Zhenyun’s award-winning novel One Sentence Worth Ten Thousand, produced by Bill Kong. The novel, which won the Mao Dun Literature Prize after it was published in 2008, revolves around a divorced woman and her married younger brother and deals with loneliness and alienation in contemporary Chinese society. The film marks the feature debut of award-winning short filmmaker Liu Yulin, who is adapting her father’s work. A New York University film graduate, Liu’s short film Door God (2014) won a silver medal at the 41st Student Academy Awards and was selected by Cannes.