A story about a spear master’s spiritual and martial discipline.

A dashing edition with fights , love, and laughter, in which the sorrows and joys of the guiltless world are colored by the guiltless travel crow, Ayame 's Gantaro, with the turbulent and exciting Wakizashi Hitoshi .

From the opening theme song to the grand finale, you know that you have found something special as this exciting movie stars the great Misora Hibari in one of her most memorable performances as she plays Shintaro and Oharu, a brother and sister, the children of a lumber dealer who had been murdered by the evil boss Kumagoro who plots to take over Shintaro's family business with the help of a corrupt deputy who has fooled the family into believing that he is on their side.

Early film by Eiichi Kudô.

Bloody Account of Jirocho: Duel at Fujimi Pass

1957 film by Kazuo Mori

1716, Yoshimune becomes the 8th Shogun as high Shogunate officials are attacked. While the government tries to keep these incidents under wraps, they must take any means possible to get to the bottom of this mystery and find out who is behind them.

A bumbling stockbroker-turned-yakuza is tasked with ensuring that an alcoholic boss is up to the task of arbitrating his syndicate's succession ceremony.

The continuing adventures of the Jirocho gang.

As Japan’s Tokugawa shogunate nears the end of its rule, Edo North Magistrate Toyama no Kinsan is called upon to judge the most difficult case of his career. In a masterfully woven tale, he has to face the truth about his estranged father’s possible involvement in a nefarious plot to take over rule of the Hizen Shimabara clan by assassinating the rightful lord, his son, and install one of Shogun Ienari’s offspring as daimyo.

This is the second film in the popular black and white series about the master swordsman, Yagyu Jubei. When the Yagyu clan falls victim to rival Kasumi spies, Yagyu Jubei is called to action to protect them. But in performing his duty, he becomes the target of those who wish to destroy his clan.

In the fifth installment, Yagyu Jubei must prove the innocence of his family who is suspected of conspiring to take Shogun's life.

The widow of a murdered yakuza boss serves jail time for attacking the man she believes killed her husband. After her release, as she is shadowed by a hitman, she returns to thoughts of revenge.

Yae and Kiku, daughters of drapers in Edo, must travel to Kyoto in place of their sickly fathers to attend to some businesses affairs. On their way to Kyoto, the two ladies are ambushed by a group of bandits. However a good Samaritan named Santaro comes to their rescue. Santaro is aiding a young samurai named Sanshiro who is on an official mission to deliver a message to a noble in Kyoto. When Yae and Kiku discover that a gang of assassins is after Sanshiro, they decide to help Sanshiro to complete his mission.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

A small yakuza gang is taken to war by a more powerful rival after a violent bar brawl involving members of both gangs. Young boss, Masaki, must decide whether to disband his dwindling gang or fight.