Three thieves rip off a shipment of used money being sent back to the US. As they are escaping the robbery (after having taken a hostage), they wind up on an island in a hotel with an apparently crazed manager and a building full of demented residents.

Stefano is a shy and sensitive teenager who has just completed his studies in Switzerland and is considering becoming a monk. But his father, a rich Milanese publisher, who had the ambition to see his son succeed him, refuses and takes him on a cruise with a young woman to take this idea out of his mind...

A government pilot (George Brent) falls for a woman (Isa Miranda) helping her partner (John Loder) smuggle diamonds out of South Africa.

A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.

Against the backdrop of the French revolution, young Caroline tries to reunite with her first love, despite her arranged marriage to an older politician.

An aspiring young artist breaks from his wealthy, possessive mother to live a bohemian existence in the artist's section of Rome and falls in love with a beautiful model who wants an uncommitted relationship.

After murdering his mistress and being hunted by the authorities in France, Pierre stows away aboard a ship bound for Genoa. Though he's immediately robbed after arriving, things look up for Pierre when he meets kindhearted Cecchina, who introduces him to her mother, Marta. Pierre and Marta fall in love, but police are closing in and the new couple may not have much time left.

Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, fished out of the river, bears an uncanny likeness to him and is being buried by his family as him. This, to him, is a pleasant turn of events and he goes to Rome, where he falls in love with Louise Paleari. Count Papiano, a jealous suitor of Louise's, threatens him with arrest unless he produces credentials to prove his identity.

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun? Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels? So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

On the run from the police, a female thief and her band of robbers take refuge on a desert island where they discover a mansion inhabited by a family whom they take hostage. One of the robbers falls for the couple's daughter.

In Nice, a wealthy widow is charmed by a young man who marries her and manages her finances. He soon starts an affair with her secretary, who proves to be even more ruthless than he is.

1971 film by José Antonio Nieves Conde