Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.

Ex-cop Vic Barron crossed the wrong mobsters; his wife and child were killed and he was scarred, framed, and imprisoned. On release, Vic has but one desire, revenge on still-hiding Tino Morelli.

A young boy witnesses his father murdered by bandits and grows into adulthood vowing revenge.

An airline executive refuses to believe that pilot error, by his friend, caused a fatal crash and persists in looking for another reason.

A man has had a werewolf curse cast upon him. If he doesn't get rid of it, he turns into a killer werewolf when the moon is full.

Rocky and Dan, war buddies, are prowl car cops on night duty. Dan is a cynic who views all lawbreakers as scum; Rocky feels more lenient. Both are attracted to the radio voice of communicator Kate Mallory; but in person, Kate proves reluctant to get involved with men who just might stop a bullet. By lucky chance, Rocky and Dan cause big trouble for murderous racketeer Ritchie Garris; but when he swears vengeance, Kate's fears may prove justified.

An ex-GI wakes up with blood on his clothes in a strange hotel room. He can't remember the night before but he later finds out that a man he got into a fight with earlier in the night was murdered.

An insurance detective encounters numerous surprises when he is assigned to investigate a meticulously-planned train robbery in Arizona.

Ex-con turned private investigator Bradford Galt suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Kathleen Stewart, he dives deep into a mystery in search of answers.