The famed French ideologue of the New Novel and author of Hiroshima Mon Amour creates a hypnotic film about five alienated people isolated in an unworldly hotel. Enmeshed in ritualistic power games, they continuously exchange personalities as each acts out his own ambigious charades. A highly stylized, non-logical dialogue creates enigmatic fear; long, uniterrupted takes and absence of close-ups evoke ennui and distance. At the end, there is a mysterious climax of revolutionary destruction.
---- Amos Vogel “Film as asubversive art”

Biarritz, 1933. Charm and talent help small-time swindler Serge Alexandre, alias Stavisky, to bribe his way into the centre of French political power. But when his great scam involving millions gets exposed, he brings the government to the verge of collapse and the country to the brink of civil war.

1972 film by Marguerite Duras

A man returns to the place he once lived a passionate love affair with a woman who is now dead. So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...