A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

A successful office lady, who has made herself sexually available to a doctor, has her routine disrupted when her former boyfriend's son appears in her life. She is not connected to the boy, but his father has been in an accident.

Okatsu is a widow raising five children - adults but still mama-dependent - in mid-eighteenth century Edo, Japan. Her frugality attracts unflattering comment even amid national tough times (the region is in famine) What Okatsu tells no one is that she saves so that a friend can start his own business once he's released from prison.