Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow's help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.

The Monkey King: Quest for the Sutra is a 2002 Hong Kong/Taiwanese TV series based on the classic Chinese novel: Journey to the West. It is also a remake of the 90's TVB version.

This is the second Monkey King that is portrayed by Dicky Cheung, the other one being "Journey to the West I". It is also the first Monkey King series that is not called "Journey to the West". This was just broadcast on TVB however it is a co-production of Taiwanese-Hong Kong.

Faced with the task of creating a film about first love for his producer Wong Kar-wai, Kot ruminates on his creative process, his rejected ideas, and finally his two chosen tales, about a sleepwalker guided through the night by a lonely admirer, and a married convenience store owner faced with the vengeful first love that he once rejected.

A self-indulgent private investigator winds up on a cruise ship full of rich patrons, gorgeous women, murderous terrorists, and scarce food.

Two pairs of siblings are destined for each other, but fate throws countless obstacles in the path. When the young Emperor and his sister contrive to leave the palace, they meet the loves of their lives in the town of Meilong.

A young man falls in love with a ghost and must avoid a variety of ghostbusters out to eliminate her and each other.

Outwardly, Lam takes pride in his job teaching Chinese literature at an elite school and in his caring wife and two sons. But deep down, the forty-year-old wrestles with unfulfilled desires stoked by jealousy over his friends’ professional successes and the advances of a flirtatious student. The sudden return of his former mentor finally upsets this delicate balance, forcing Lam to unearth the long-hidden truth about who he is and gain a new perspective on how to live the rest of his life.

Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?