A young woman decides to leave school in order to help her sister.

Well before “Shogun” as warring clans were fighting for power throughout Japan, a Portuguese vessel ran aground off Tanegashima. Lord Tokitaka helped Captain Pinto repair his ship. The grateful captain offered the lord a gift--a matchlock musket—the first firearm ever seen in Japan. But like a great stone hurled into placid waters, this simple gift will start a revolution. Tokitaka tasks Kinbei, his greatest swordsmith, to copy this musket and build guns for Japan. While Kinbei struggles to forge Japan’s first musket, a great love blooms between Captain Pinto and Kinbei’s daughter Wakasa. But for Kinbei, to let Wakasa marry Pinto and go to Portugal is unthinkable. And as Kinbei creates Japan’s first matchlock factory, Lord Oda Nobunaga will seize upon firearms as the key to sweep all other clans before him, tearing a blood-soaked path of destruction through Japan.

Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.

Otama, daughter of a poor candy vendor, becomes the mistress of a man whom she believes to be a widower and owner of a prosperous dry goods store. The man is in fact married with children, and is a despised loan shark who takes money from the poor without qualms. Totally enraptured with Otama, this usurer establishes her and her father in separate houses and generously gives them gifts including silk taken as interest from Oshige, a poor cloth dealer who does business with the sewing teacher, Otama's neighbor. Otama's satisfaction with her situation gradually crumbles as she discovers the truth about her benefactor.

The intense selfishness of a man brings him fame and fortune but not happiness.

Adaptation of the Shôji Yuki novel.

Kisuke, a young bamboo worker marries Tomoe, a courtesan who was once involved with Kisuke's late father.

1930. In splendid snowy settings, the trials and pain of a woman married to a man who maintains a relationship with their servant.

An uncle decides to put his delinquent orphaned niece into a temple in Kyoto known for its austere novitiate. Initially resistant to all forms of discipline, she ends up falling in love with the nun who is in charge of her.

Sentaro is been severely beaten for his defiance of the government and the high taxes during a time of famine. He is befriended by Kada Gentaro, a leader in the Mito Tengu group, which plans to overthrow the shogunate.

Kazuko and Umeko have been friends since college. They are modern businesswomen who have many obligations in life and are not ready for marriage. Their families think differently and strive to arrange their personal happiness.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.

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Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)

In a rural district of Tokyo, the owner of a farm is abandoned by his two daughters who are attracted to the life of the big city.

On his return from school, young Ichiro finds his father in bed with his adopted sister, Namie. Enraged, he decides to outdo his father in terms of immoral behaviour.

Namiko is married, but has an infatuation with Ishizuka who runs a nightclub. The businessman is also planning on wrecking the company of Namiko's husband. As personal lives and professional careers intertwine and cross one another including a love triangle dangerously, the affair is taken up a notch following a murder.

A youth drama set in a Japanese university which is home to a group of active, leftist students.