A samurai thief fights a gang of ghostly thieves using scorpions for treasure in the unexplored Shinano region, which is guarded by a descendant of the Heike clan.

This is Kanjûrô Arashi's first film with Nikkatsu after his independent production company went bankrupt (many of these independent companies went bankrupt shortly after the transition to sound). As he is mostly famous for his portrait of Kurama tengu (and on the other hand, he's the definitive actor for Kurama Tengu as well), Nikkatsu made another version of Kurama tengu, co-directed by Masahiro Makino & Sadatsugu Matsuda who are both sons of Shozo Makino. Scripted by Yoshitake Hisa, a jidaigeki specialist who later scripted several Toei All-Star Jidaigeki.

Taikoki is a legendary biography of Toyotomi Hideyoshi, who rose to the office of taikō. And the story of this film is about the rise to power of Toyotomi Hideyoshi from a farmer's son.

The life, adventures and exploits of warlord Date Masamune the One-eyed Dragon: his early youth as an aggressive warrior, the battles he won until subduing almost all his enemies, the lonely comprehension of knowing that he actually can not take over the whole country because he was born too late.

An umbrella maker with a shopping addiction finds himself in dire straits when his debts force him to consider selling his attractive, desirable daughter to a suitor she doesn't love.

Based on the old tale of Jiraiya, this 1937 version is essentially a revenge story with fantastic visuals.

The Japanese equivalent of penny dreadfuls glorifying Jesse James, A Diary of Chuji’s Travels gives a unique gloss to the tale of Chuji Kunisada, the legendary bakuto (or gambler, the precursors to modern-day yakuza). One of the two remaining segments of Ito’s original four-hour trilogy, it depicts Chuji’s attempt to save the geisha Oshina, a rebellion against the rigid social structure of Edo Japan. With socialist overtones, it’s a passionate artifact of early Japanese film.