Physical collection

A young woman arrives in New York City from Ohio, determined to make it in the big city, but finds herself on a dark path to make ends meet.

A male escort spirals into chaos as he navigates the dark underbelly of his hedonistic world, battling addiction and violent encounters, ultimately confronting the cost of his choices in a desperate bid for redemption.

Through an unexpected inheritance, a couple of male scientists travel to the moon via a rocket of their own design. There, they find a lush garden paradise rather than a barren wasteland. They're captured by (semi-nude) telepathic humanoids and taken before the Great Council, where the Moon Goddess decides they should be allowed to continue their experiments. One falls in love, the other seeks to return home.

Stripper Blaze Starr visits a nudist camp for a movie to escape her troubles. She decides to join them and for a while manages to keep it from her fiancé/agent but soon he grows suspicious of her activities.

Bank robbers take a woman hostage in the course of a botched getaway. After discovering she's a nudist, they decide to hide out at her nudist camp.

Married nudists Anne and Tom work in real estate but Tom is fired for his lifestyle. Unfortunately, as he was ready to close a big major deal, Tom goes to his favorite nudist camp to take his mind off his problems and discovers that the client is also a member. Together, they scheme to get Anne and their boss to visit in order to make the deal.

Arthur Sherwood is on a hunting trip when he stumbles upon a nudist camp. Horrified, the prudish newspaper editor sends female reporter Stacy to write an exposé. However, much to her surprise, Stacy loves the free-spirited lifestyle and writes positively of her experience. The dissatisfied Arthur joins the camp himself to write his own story.

The leader of a small kingdom falls in love with a beautiful American girl, only to be shocked when he finds out that she's a nudist.

This and The Hot Month of August, both made in Greece, were acquired by DORIS WISHMAN for release in the United States. However, she somehow or other lost the dialogue sheets needed for dubbing the films into English. With the original dialogue a mystery, and not understanding Greek in the first place, the Grand Dame of Sexploitation simply re-invented the entire plot blissfully dubbing it away without any clue as to what was really being said, and then adding some steamy sex scenes with her own anonymous adulterers to liven things up.

A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

After the mob hits a guy with a list, one of the hoods keeps the list to blackmail its inhabitants. When he’s found out to be a double-crosser, they off him, angering his busty girlfriend. She goes after them using the only two weapons she has.

A surgically enhanced super-spy is sent to dismantle a heroin ring, snapping photos of every kill with a camera hidden in her breasts - only to discover the man she’s falling for is the target she’s been hunting all along.

A nice guy turns murderous after undergoing a penis transplant.

Three attractive sisters have one year to avenge their mother's murder and collect her inheritance.

A degenerate gambler, unable to come up with the cash necessary for a high-stakes gin rummy game, bets his nubile daughter. And loses. His daughter becomes the delectable property of a hot-to-trot sex fiend and becomes involved in a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, among other retrogrades.