UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

Une séduisante machine, appelée Reiko, accumule le maximum de données sur l'acte sexuel. Lorsque celles-ci sont perdues à cause d'un virus, Reiko va être réinitialisée par un programmeur à la retraite, puis relancée dans le cyberespace afin de les retrouver. La mutante à l'expertise étendue fait voler le cœur des spectateurs dans un vertige pornographique et numérique éblouissant.

An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. Drawing on over 30 years of unique and never-seen-before footage, 'The Image You Missed' is an experimental essay film that weaves together a history of the Northern Irish 'Troubles' with the story of a son's search for his father. In the process, the film creates a candid encounter between two filmmakers born into different political moments, revealing their contrasting experiences of Irish nationalism, the role of images in social struggle, and the competing claims of personal and political responsibility.

Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.

A middle-class family goes to extremes to achieve the American Dream in this masterfully edited found footage documentary hybrid. Director Dean Fleischer Camp discovers on YouTube over 100 hours of home footage shot by an unknown working-class man who obsessively filmed his family for more than 7 years. Birthday parties, trips to the mall, family vacations–seemingly endless footage of their mundane activities are skillfully shaped into a provocative and unexpected narrative that keeps you on the edge of your seat. At once meditative and thrilling, FRAUD is the director’s unique and layered vision of capitalism, personal identity, and biography in media.

王裕言新作运用各种网络视频构建抽象叙事，导演2019年的作品《所有动作都应杀死风》曾入围第三届北京国际短片联展。

A group of online justice seekers track down a guy who posted a video of him killing kittens.

Oum, a Palestinian grandmother, returns to her hometown of Haifa, where she explores the urban landscape the only way she can: as a digital ghost via Google Streetview.

In Soliloquy , part of the Kita’s World series, Martine Syms creates digital avatar Kita, who acts as cultural commentator, speaking to questions of consciousness within the systems of race, capitalism, and technology.

From within the shattered remnants of a jigsaw theme park, a sense that all is not quite right is beginning to make itself felt.

A random survey of personal ads one night on Craigslist opens up performative possibilities for a corporate tool.

This video work is part of the acclaimed RMB City series which uses the idea of the ideal city as a framework for examining aspects of Chinese and global culture. Fei has created a realm in which the imagination has free rein but retains the architectural and cultural icons of the real world transformed into a spectacular, shimmering metropolis. Live in RMB City is the culmination of this major series in which the artist in the person of her avatar, China Tracy, takes us on a conducted tour of the virtual city. Presented by the Art Fund through Art Fund International.

Butler’s installations are dystopian dioramas, delivery bags and backpacks hanging open to reveal shining silver insulation and otherworldly scenarios. In one, a laptop plays an animated film called The Enthusiasts, depicting three-dimensional animated people fixated on laptops and iPads, playing digital employment simulators (landlord, police, shopkeep), oblivious as the room steadily floods.

Imago (an incomplete work) (2010) by Jon Rafman

Cyber freefall in the DNA of the experimental feature film ANA by Frédérick Maheux.

Une jeune femme surfe sur le net en quête de spiritualité et d’équilibre intérieur. S’isolant toujours davantage, elle sombre dans un monde absurde, avec un écran pour seul horizon : elle finit par ne plus former qu’un avec le mystérieux système d’exploitation OS Love.

Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.